Mun Sing’s (aka Giant Swan’s Harry Wright) uncompromising ingenuity of sonic weaponry explores bone rattling, fragmented cyber grime and radioactive trap templates. An attack of fluctuating polyrhythms that pan from left to right creating a delirious effect. Amplified dissonant noise, syncopated and visceral neo-EBM drum patterns that disintegrate, dissolve and accelerate, then starkly shrink with an adrenaline fuelled industrial intensity.